Palace Size Aubusson Rug
A Palace size Aubusson rug from the 1890’s. The rug would have been especially commissioned and brings the history and glamour of that era. This ivory ground and delicate floral ornaments of this second Empire carpet make it seem even bigger than its already ample scale. Huge whirlpool spirals fill the corners and flow into long leafy vines with attached floral sprays. The center is a layered nearly circular medallion within an oval shape composed of more leafy vines. The narrow border is broken at the corners and along the sides by acanthus elements. The carpet is light and expansive
Indoor and Outdoor Rugs
In order to better integrate indoor and outdoor settings, we offer modern uncomplicated, abstract monochromes that go anywhere in their design while being totally appropriate in their make-up. The outdoor carpets are synthetic, made from recycled polyethylene, in three distinct levels. The lowest level is a weft-faced flatweave, and there are two upper levels of high and still higher pile forming a monochrome horizontal geometric pattern of floating diamonds, zig-zags and solid bands. There are four colourways at present. The synthetic has a wool-like tactility, but, in fact, is made of recycled plastic soda/water bottles. En suite with this style
A perfect carpet for the Spring Season
Tabriz Garden Carpet Size: 9’6 x 12’6 Spring comes but once a year and in most of Persia it is indeed fleeting. So why not make it more enduring and bring it inside during the hot and dry summers, and the cold, windy winter? Thus was born the garden (or chahar bagh, lit. four part garden) carpet. The first, as far as literary sources go, was created in the 7th century A.D. for the Persian king Khusrau ( Chosroes), and employed silk, precious metal thread and precious stones to delineate and decorate a flatwoven carpet of enormous size. Sadly, nothing
Modern Turkish Flatweave Rug
Size: 9’11 x 13’7 Modern flatweaves, here just wefts and warps, have continued vintage traditions, working in full-width bands, but with simplified and softened tones, and let abrash (semi-intentional color variation) create ripples, water or sand effects. Aerial perspective is suggested by varying the band width. Hemp (a vegetal cellulosic fibre) takes dyes differently from wool (animal protein fibre). The absorption effects are particularly important in such a carpet as this, where the divisions
The Beauty of Serapi Carpets
The Beauty of Serapi Carpets As perpetually fashionable as they are collectible, traditional Heriz luxury handmade rugs are skillfully woven in vibrant colors and emphatic geometric designs. Serapi carpets are a quality designation for Heriz pieces of a firmer weave, shorter pile and finer quality. There is no village of Serapi among the thirty-odd towns in the Heriz weaving district. The simplicity and striking character of these carpets, along with their basic two-dimensional flat patterning and primary colors has made then almost like room sized Kazaks and they have always been popular in the company of Caucasian scatter rugs. The
Ikat Design Rugs
Ikat Design Charcoal and Gray Zoe Rose Hi Lo Collection This carpet, which can be ordered in custom sizes, is even more interesting than it looks! First, consider the high-low effect. Not just any high-low, but a ridged granularity following the warps. While the vast majority of old and new carpets knot on every warp, this unusual type leaves a center warp free between pairs of knots. We can see this clearly on the back where pairs of knots cover four warps, but leave one continuous column uncovered. This results in a broad ribbing effect on the front, perpendicular to
Oriental Carpets and Absolutely Current, Up-to-the-minute Design Trends
Here at Lavender Oriental Carpets we are always aware of the most au courant trends in interior design and how oriental rugs, especially ours, can help advance them. Thus we begin a blog post series commenting on recently published interiors employing oriental rugs with our pieces instead of the illustrated examples. Open and modern, clean and uncluttered, reduced to the essentials. A recent article in Elle Décor shows off a modernist Mexican villa with lots of glass and plentiful wood accents everywhere. In the living room copious light brown neutral wood accents are splashed with colorful scarlet chairs. Simplicity reigns.
Nothing Says “Traditional” (or almost) as an Oriental Carpet
Nothing says “traditional” (or almost) as an oriental carpet. Traditional rooms are always visually busy and all too often clutter is the next stage. There is a constant combat, a look at me first, of the furniture and objects. This centrifugal effect needs to be reversed. Nothing unifies better than a room sized carpet. In a recent House Beautiful spread of a suburban Maryland dwelling, we find a living room perfectly integrated by a softly toned late 19th century Tabriz in a huge semi-repeating medallion design in hues of rust, navy, pistachio and beige. The carpet fills the room and
Arts & Crafts-Art Deco-Nouveau Rugs
Donegal Gallery Carpet 6.3 x 14.11 Sort of an Irish Oushak with a slate blue ground displaying a repeat of semi-geometric buds and flowers along with sawtooth medallions. Unlike other Donegal’s, there is nothing Celtic about this unique carpet. The palette is a variant on blue and white, but not oriental. The narrow borders just barely constrain the dynamic field which pushes underneath in all directions. The spacious layout makes the carpet seem larger than it is. The Arts and Crafts movement originated in England in the second half of the 19th century as a reaction against mass-produced machine-made goods.
Going for Baroque?
French Baroque Silk Damask Textile 2.1 by 5.2 17th Century Going for Baroque? Everything is dramatic. Think Caravaggesque paintings. Sculpturesque carved furniture. Everything is designed to impress. This textile, originally a section of a longer bolt, displays more than one repeat of a bold, complex cartouche and acanthus pattern in yellow-ochre and raspberry-red. The twisting foliage makes it three dimensional. What a great wall piece! You don’t have to be fluent in art history or in the language of period decoration to appreciate this eye-catching object. It is a full loom width and in good condition. And the furnishing context can
